Pedals that stack with the Marshall Jmp Super Lead 50w

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Feed a edge of breakup signal into Catalinbread RAH and it comes out closer to mid-forward

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Feed a edge of breakup signal into Analog Man King of Tone and it comes out closer to clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Feed a edge of breakup signal into Browne Amplification Carbon and it comes out closer to clean boost

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

W-LM Compression Fracture's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Jmp Super Lead 50w in the signal chain, clear of Marshall Jmp Super Lead 50w's own gain stage

Goes in front of the amp

Catalinbread Dirty Little Secret Deluxe's full voice goes in Marshall Jmp Super Lead 50w's effects loop — it's not there to compete with Marshall Jmp Super Lead 50w's own edge of breakup character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Marshall Jmp Super Lead 50w's effects loop, clear of Marshall Jmp Super Lead 50w's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop