Pedals that stack with the Marshall Super Lead 1970s

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

Browne Amplification Carbon pushes a saturated tone toward clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Friedman BE-OD and it comes out closer to tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

Analog Man King of Tone pushes a saturated tone toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Super Lead 1970s in the signal chain, clear of Marshall Super Lead 1970s's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Marshall Super Lead 1970s's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

Keep Catalinbread Dirty Little Secret Deluxe in Marshall Super Lead 1970s's effects loop, clear of Marshall Super Lead 1970s's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay in Marshall Super Lead 1970s's effects loop, clear of Marshall Super Lead 1970s's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop