Pedals that stack with the Marshall Superlead Guitar Amplifier Head

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Catalinbread Sabbra Cadabra 10 Red brings here leans toward bright — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Push the Superlead's vintage, classic-rock breakup with the RAH's own balanced overdrive and it opens up into real weight.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Vox Valvenergy Copperhead Drive's own mid-forward character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

Marshall Superlead Guitar Amplifier Head leans toward full, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

Marshall Superlead Guitar Amplifier Head's own full character is the real reason this is worth trying

Goes in front of the amp

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Superlead Guitar Amplifier Head in the signal chain, clear of Marshall Superlead Guitar Amplifier Head's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Maxon RTC600 Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

Keep Marshall Superlead Guitar Amplifier Head's full voice out front: Catalinbread Dirty Little Secret Deluxe goes in Marshall Superlead Guitar Amplifier Head's effects loop so its full voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Marshall Superlead Guitar Amplifier Head's full voice out front: Keeley Halo goes in Marshall Superlead Guitar Amplifier Head's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop