Pedals that stack with the Marshall YJM100 Head
← everything about the Marshall YJM100 Head
All 24 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Xotic BB Preamp
Xotic
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The BB Preamp's clean-boost voicing pushes the YJM100's own preamp gain harder without piling on its own distinct flavor.
Goes in front of the amp
Greer Mizuki blue
Greer
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Mizuki's warm, boutique overdrive rounds off the YJM100's boosted, noise-gated lead voice with something more musical.
Goes in front of the amp
Analog Man King of Tone
Analog Man
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Analog Man King of Tone leans smooth right where the bright tone needs it
Goes in front of the amp
Walrus Audio Monumental Stereo Harmonic Tremolo
Walrus Audio
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall YJM100 Head answers back bright
Goes in front of the amp
Wampler Plexi Drive
Wampler
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
What Wampler Plexi Drive brings here leans toward crunchy — that's worth building a pairing around
Goes in front of the amp
Fulltone Deja Vibe 2
Fulltone
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright
Goes in front of the amp
MXR EVH117 Flanger
MXR
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall YJM100 Head answers back bright
Goes in front of the amp
Walrus Audio Meraki
Walrus Audio
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix Mainframe Bit Crusher
Electro-Harmonix
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head's bright balances out the warm tone
Goes in front of the amp
Pigtronix Constellator
Pigtronix
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
MXR Phase 90
MXR
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Marshall YJM100 Head's pristine voice out front: MXR Phase 90 goes after Marshall YJM100 Head in the signal chain so its analog warmth voice doesn't muddy it
Goes in front of the amp
Carl Martin Atlantic Chorus
Carl Martin
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright
Goes in front of the amp
TC Electronic Vintage Overdrive
TC Electronic
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall YJM100 Head answers back bright
Goes in front of the amp
Electro-Harmonix NC
Electro-Harmonix
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright
Goes in front of the amp
Donner Embark 05 Overdrive Analog
Donner
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright
Goes in front of the amp
Mooer woodverb
Mooer
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Crazy Tube Circuits Venus
Crazy Tube Circuits
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall YJM100 Head after it and the warm edge settles into something more bright
Goes in front of the amp
TC Electronic Ampworx Vintage Series Jims 45
TC Electronic
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head leans bright right where the warm tone needs it
Goes in front of the amp
Ibanez PH Mini
Ibanez
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head's bright balances out the warm tone
Goes in front of the amp
Vemuram Budi-G
Vemuram
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head leans bright right where the warm tone needs it
Goes in front of the amp
Boss SDE-3000D
Boss
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall YJM100 Head leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Suhr Discovery
Suhr
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Marshall YJM100 Head's pristine voice out front: Suhr Discovery goes in Marshall YJM100 Head's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Walrus Audio Fable
Walrus Audio
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable in Marshall YJM100 Head's effects loop, clear of Marshall YJM100 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
MXR CSP202 Custom Comp
MXR
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
MXR CSP202 Custom Comp leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp