Pedals that stack with the Matchless 30/15 Reverb 30W 1x12" Combo

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Feed a edge of breakup signal into Z.Vex Super Hard On and it comes out closer to clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Stack Greer Southland on top and a edge of breakup tone tightens toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Feed a edge of breakup signal into J. Rockett Archer and it comes out closer to low gain

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Matchless 30/15 Reverb 30W 1x12" Combo in the signal chain, clear of Matchless 30/15 Reverb 30W 1x12" Combo's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Matchless 30/15 Reverb 30W 1x12" Combo's own edge of breakup character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Catalinbread Epoch-Set in Matchless 30/15 Reverb 30W 1x12" Combo's effects loop, clear of Matchless 30/15 Reverb 30W 1x12" Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Matchless 30/15 Reverb 30W 1x12" Combo's edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Matchless 30/15 Reverb 30W 1x12" Combo's effects loop so its spring voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop