Amps that pair well with the Meris LVX Delay

Route the LVX's complex ambient delay through the 1959SLP's aggressive plexi saturation for a thick, wall-of-sound finish.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Meris LVX Delay in Mesa Boogie Mark V's effects loop, clear of Mesa Boogie Mark V's own gain stage

Comes earlier in the signal chain

Dumble Overdrive Special Amp Head's own dynamic character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Meris LVX Delay in REVV Generator G50 3-Channel 50-Watt's effects loop, clear of REVV Generator G50 3-Channel 50-Watt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Meris LVX Delay in Marshall 2555X Silver Jubilee 100W Reissue's effects loop, clear of Marshall 2555X Silver Jubilee 100W Reissue's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Laney LV300H 120W Head's crunchy voice out front: Meris LVX Delay goes in Laney LV300H 120W Head's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Meris LVX Delay in Diezel Herbert MkIII's effects loop, clear of Diezel Herbert MkIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Laney AOR 50 Series II's mid-forward voice out front: Meris LVX Delay goes in Laney AOR 50 Series II's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Meris LVX Delay in Traynor YCV40/50 20th Anniversary Combo's effects loop, clear of Traynor YCV40/50 20th Anniversary Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Meris LVX Delay's ambient voice goes in Alessandro AZZ's effects loop — it's not there to compete with Alessandro AZZ's own full character

Comes earlier in the signal chain

Put Meris LVX Delay in Van Weelden Twinkleland 100W Head's effects loop, clear of Van Weelden Twinkleland 100W Head's own gain stage

Comes earlier in the signal chain

Meris LVX Delay's ambient voice goes in Supro 1933R Royale 50W 2x12 Combo's effects loop — it's not there to compete with Supro 1933R Royale 50W 2x12 Combo's own high headroom character

Comes earlier in the signal chain

Keep Meris LVX Delay in Gallien-Krueger MB210-II's effects loop, clear of Gallien-Krueger MB210-II's own gain stage

Comes earlier in the signal chain

Keep Meris LVX Delay in Gallien-Krueger Legacy 210 Bass Combo's effects loop, clear of Gallien-Krueger Legacy 210 Bass Combo's own gain stage

Comes earlier in the signal chain

Keep Meris LVX Delay in Crate VFX 5212's effects loop, clear of Crate VFX 5212's own gain stage

Comes earlier in the signal chain

Run Meris LVX Delay in Supro 1696RTH Black Magick Reverb 25W Head's effects loop, clear of Supro 1696RTH Black Magick Reverb 25W Head's own gain stage

Comes earlier in the signal chain

Keep Meris LVX Delay in Phil Jones BG-75 Double Four Bass Combo's effects loop, clear of Phil Jones BG-75 Double Four Bass Combo's own gain stage

Comes earlier in the signal chain

Keep Meris LVX Delay in Phil Jones BG-80 Double Four Plus 90W Bass Combo's effects loop, clear of Phil Jones BG-80 Double Four Plus 90W Bass Combo's own gain stage

Comes earlier in the signal chain

Put Meris LVX Delay in Randall RX15M Combo's effects loop, clear of Randall RX15M Combo's own gain stage

Comes earlier in the signal chain