Amps that pair well with the Meris LVX Delay

Marshall Plexi 1959SLP

Route the LVX's complex ambient delay through the 1959SLP's aggressive plexi saturation for a thick, wall-of-sound finish.

Laney Ironheart IRT-Studio

The IRT-Studio's direct USB output captures the LVX's complex ambient delays cleanly for recording.

Marshall JMP 2203 Mk II Master Lead 100w

Run the LVX in the JMP's loop so its complex ambient delay trails the amp's own aggressive gain, not gets distorted by it.

1976 Marshall 1959 Super Lead

Keep the LVX's complex, studio-grade delay in the '76 Super Lead's loop, clear of the amp's own raw British breakup.

Friedman Pink Taco V2 Combo

Meris LVX Delay is voiced for Marshall-style amps — Friedman Pink Taco V2 Combo gives it exactly that

Mesa Boogie Electra-Dyne Simul-Class 45/90-Watt 1x12"

Keep the LVX's ambient delays in the Electra-Dyne's loop so they trail the amp's own high-gain stages instead of getting swallowed by them.

Friedman Small Box 50 Head with 1x12 Cabinet

Keep the LVX in the Small Box 50's loop for ambient, MIDI-controllable delay behind that modern, articulate rock gain.

Hiwatt DR103H

The LVX's ambient, MIDI-controlled delay belongs in the Hiwatt's loop, clear of the amp's own articulate headroom.

Park PLH18H

Into Park PLH18H, Meris LVX Delay is right at home: it's built around Marshall-style amps

Marshall AVT 20 Valvestate 2000

Run Meris LVX Delay in Marshall AVT 20 Valvestate 2000's effects loop, clear of Marshall AVT 20 Valvestate 2000's own gain stage

Marshall 1959T Super Tremolo

Keep Marshall 1959T Super Tremolo's gritty voice out front: Meris LVX Delay goes in Marshall 1959T Super Tremolo's effects loop so its ambient voice doesn't muddy it

Marshall Super Lead 1970s

Run Meris LVX Delay in Marshall Super Lead 1970s's effects loop, clear of Marshall Super Lead 1970s's own gain stage

Friedman PT-20

Into Friedman PT-20, Meris LVX Delay is right at home: it's built around Marshall-style amps

Wylde Audio Master 100 Amp Head

Meris LVX Delay is voiced for Marshall-style amps — Wylde Audio Master 100 Amp Head gives it exactly that

Hiwatt Custom 20/40 'Studio/Stage' Head

Meris LVX Delay's own voicing points at Marshall-style amps, and Hiwatt Custom 20/40 'Studio/Stage' Head delivers it

Orange Crush 60 2 Channel Combo 60

Meris LVX Delay's own voicing points at Marshall-style amps, and Orange Crush 60 2 Channel Combo 60 delivers it

Mojotone British 20 Watt Head

Meris LVX Delay's own voicing points at Marshall-style amps, and Mojotone British 20 Watt Head delivers it

Orange Crush Pro CR60C

Meris LVX Delay's own voicing points at Marshall-style amps, and Orange Crush Pro CR60C delivers it

Marshall 1959HW

Put Meris LVX Delay in Marshall 1959HW's effects loop, clear of Marshall 1959HW's own gain stage

Friedman Pink Taco Head

Into Friedman Pink Taco Head, Meris LVX Delay is right at home: it's built around Marshall-style amps

Orange Crush Pro CR120

Orange Crush Pro CR120 leans into Marshall-style amps, precisely the platform Meris LVX Delay wants

Marshall Studio Vintage SV20C

Put Meris LVX Delay in Marshall Studio Vintage SV20C's effects loop, clear of Marshall Studio Vintage SV20C's own gain stage

Bogner Ecstasy 3534

Into Bogner Ecstasy 3534, Meris LVX Delay is right at home: it's built around Marshall-style amps

Carr Hammerhead MkII

Meris LVX Delay is voiced for Marshall-style amps — Carr Hammerhead MkII gives it exactly that