Amps that pair well with the Meris Mercury7 Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb in Friedman Pink Taco V2 Combo's effects loop, clear of Friedman Pink Taco V2 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Randall RD40 Diavlo's high gain voice out front: Meris Mercury7 Reverb goes in Randall RD40 Diavlo's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes in ENGL E610II Savage 120 MkII Head's effects loop — it's not there to compete with ENGL E610II Savage 120 MkII Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Engl Ironball Head's effects loop, clear of Engl Ironball Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb in Evh 5150 Iconic Series 40W 1x12 Combo's effects loop, clear of Evh 5150 Iconic Series 40W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb in Orange Rockerverb 50H's effects loop, clear of Orange Rockerverb 50H's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes in Orange Super Crush 100's effects loop — it's not there to compete with Orange Super Crush 100's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Friedman JEL-Junior (Jake E. Lee Signature) 20W Head's effects loop, clear of Friedman JEL-Junior (Jake E. Lee Signature) 20W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Engl Savage 60 Mark II's effects loop, clear of Engl Savage 60 Mark II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb in Mesa Boogie Rectifier Roadster 2x12 Combo's effects loop, clear of Mesa Boogie Rectifier Roadster 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Vox MV50 Rock with 1x8 Cabinet's crunchy voice out front: Meris Mercury7 Reverb goes in Vox MV50 Rock with 1x8 Cabinet's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Laney Ironheart Irt-SLS 3-Channel 300W Head's high gain voice out front: Meris Mercury7 Reverb goes in Laney Ironheart Irt-SLS 3-Channel 300W Head's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Mesa Boogie Triple Crown TC-50 1x12 Combo's high gain voice out front: Meris Mercury7 Reverb goes in Mesa Boogie Triple Crown TC-50 1x12 Combo's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Framus Dragon 3-Channel 100-Watt's effects loop, clear of Framus Dragon 3-Channel 100-Watt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Engl Artist Edition 100W E651's effects loop, clear of Engl Artist Edition 100W E651's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb in Blackstar DA100 Ruby's effects loop, clear of Blackstar DA100 Ruby's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Friedman BE-Mini's high gain voice out front: Meris Mercury7 Reverb goes in Friedman BE-Mini's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb in Hughes & Kettner TC412A60's effects loop, clear of Hughes & Kettner TC412A60's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Friedman Pink Taco Head's effects loop, clear of Friedman Pink Taco Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep EVH 51450 Iconic's high gain voice out front: Meris Mercury7 Reverb goes in EVH 51450 Iconic's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes in Diezel BIG MAX's effects loop — it's not there to compete with Diezel BIG MAX's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Magnatone SL100 Slash 100 Watt Head Black's effects loop, clear of Magnatone SL100 Slash 100 Watt Head Black's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Peavey JSX Joe Satriani Signature Head's effects loop, clear of Peavey JSX Joe Satriani Signature Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Diezel Herbert Mk3 3-Channel 180-Watt's high gain voice out front: Meris Mercury7 Reverb goes in Diezel Herbert Mk3 3-Channel 180-Watt's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain