Pedals that stack with the Mesa Boogie Mark I

Vertex Nyle

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

Wylde Audio MXR WA38 Chorus

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

J. Rockett Aqueous

Into a transparent tone, Mesa Boogie Mark I brings the mid-forward it's missing — goes in the amp's FX loop (or last, into a clean amp)

Greer Black Tiger

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

Mooer SkyVerb

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Deep Six Compressor V3

Into a transparent tone, Mesa Boogie Mark I brings the mid-forward it's missing

Red Witch Binary Star

Run Mesa Boogie Mark I into that transparent platform and it finally gets some mid-forward — goes in the amp's FX loop (or last, into a clean amp)

Zvex Ooh Wah 2 Custom Handpainted

Into a transparent tone, Mesa Boogie Mark I brings the mid-forward it's missing

MXR Super Comp M132

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

MXR Super Comp M132

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

Alexander Pedals Rewind Programmable Echo

Into the Mark I's midrange-forward preamp stage, the Rewind's filtered, resonant delay stays defined instead of smearing into the amp's own EQ. — goes in the amp's FX loop (or last, into a clean amp)

T-Rex Comp-Nova

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

Fender The Bends Compressor

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

FTelettronica Mars Compressor

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own

Providence VLC-1 Velvet Comp

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own

Olinthus Pillbug Compressor

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own

TC Electronic forcefield

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own

One Control Lemon Yellow Compressor

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

J. Rockett ACC 9520-060

The transparent tone has headroom to spare — Mesa Boogie Mark I gives it mid-forward to fill it with

CNZ Audio VTR-20

Run Mesa Boogie Mark I into that transparent platform and it finally gets some mid-forward

Orange King Komp Compressor

Run Mesa Boogie Mark I into that transparent platform and it finally gets some mid-forward

Orange Kongpressor

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own

Fender space delay

Into a transparent tone, Mesa Boogie Mark I brings the mid-forward it's missing — goes in the amp's FX loop (or last, into a clean amp)

Red Witch Seven Sisters Grace Compressor

Mesa Boogie Mark I's mid-forward fills in what this transparent tone doesn't make on its own