Pedals that stack with the Mile End Effects PreAmp 150

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes earlier in the signal chain

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Fulltone OCD Obsessive Compulsive Drive into that transparent platform and it finally leans toward fuzzy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mile End Effects PreAmp 150's transparent voice out front: Boss BF-2 Flanger goes after Mile End Effects PreAmp 150 in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Vox Valvenergy Silk Drive brings here leans toward smooth — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Mile End Effects PreAmp 150 in the signal chain, clear of Mile End Effects PreAmp 150's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mile End Effects PreAmp 150's transparent voice out front: Fender Hammertone Reverb goes after Mile End Effects PreAmp 150 in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain