Pedals that stack with the Mooer 007

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in

Comes earlier in the signal chain

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Wren and Cuff Box of War OG into that transparent platform and it finally leans toward fuzzy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Earthquaker Devices Pyramids Stereo Flanging Device after Mooer 007 in the signal chain, clear of Mooer 007's own gain stage

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive's own smooth character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Mooer 007 in the signal chain — it's not there to compete with Mooer 007's own transparent character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Mooer 007 in the signal chain, clear of Mooer 007's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain