Amps that pair well with the Mr. Black Bloodmoon

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Vox AC30 Guitar Combo Amp leans bright right where the dark tone needs it

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Where this leans dark, Matchless DC-30 answers back glassy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Mr. Black Bloodmoon's dark voice goes in Magnatone Super Fifteen 15W Head's effects loop — it's not there to compete with Magnatone Super Fifteen 15W Head's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Mr. Black Bloodmoon in Gallien-Krueger MB210MK2's effects loop, clear of Gallien-Krueger MB210MK2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Mr. Black Bloodmoon in Supro 1620RC Delegate Custom 25W 1x12 Combo's effects loop, clear of Supro 1620RC Delegate Custom 25W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mr. Black Bloodmoon in Supro Delta King 10 (1820RTB)'s effects loop, clear of Supro Delta King 10 (1820RTB)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mojotone Studio One Amplifier's edge of breakup voice out front: Mr. Black Bloodmoon goes in Mojotone Studio One Amplifier's effects loop so its dark voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Mr. Black Bloodmoon's dark voice goes in Blackstar HT-1RH MkIII's effects loop — it's not there to compete with Blackstar HT-1RH MkIII's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Mr. Black Bloodmoon in Park Custom P18LR Little Rock Handwired 18W's effects loop, clear of Park Custom P18LR Little Rock Handwired 18W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mr. Black Bloodmoon in Quilter Overdrive 200 Head's effects loop, clear of Quilter Overdrive 200 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mr. Black Bloodmoon in Kustom 200's effects loop, clear of Kustom 200's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EBS HD360's transparent voice out front: Mr. Black Bloodmoon goes in EBS HD360's effects loop so its dark voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Mr. Black Bloodmoon's dark voice goes in Gallien-Krueger Legacy 112's effects loop — it's not there to compete with Gallien-Krueger Legacy 112's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Mr. Black Bloodmoon in Warwick DS 500 Double Stage Bass Amp Head's effects loop, clear of Warwick DS 500 Double Stage Bass Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Mr. Black Bloodmoon in Kustom HV30 Tube's effects loop, clear of Kustom HV30 Tube's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Mr. Black Bloodmoon in Phil Jones BG-100 Bass Cub 2x5 100w Combo's effects loop, clear of Phil Jones BG-100 Bass Cub 2x5 100w Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Rumble 40 Ivory's transparent voice out front: Mr. Black Bloodmoon goes in Fender Rumble 40 Ivory's effects loop so its dark voice doesn't muddy it

Comes earlier in the signal chain