Amps that pair well with the MXR Dyna Comp Mini
← everything about the MXR Dyna Comp Mini
All 11 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fender Super Reverb
amplifier
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
MXR Dyna Comp Mini's mid-forward voice goes after Fender Super Reverb in the signal chain — it's not there to compete with Fender Super Reverb's own transparent character
Comes later in the signal chain
Revv Generator G20 20-Watt 2-Channel Tube Head
Revv
21% matchRun mid-forward into Revv Generator G20 20-Watt 2-Channel Tube Head for more high gain on top
Comes later in the signal chain
Mesa/Boogie Triple Rectifier
Mesa Boogie
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Mesa/Boogie Triple Rectifier's high gain voice out front: MXR Dyna Comp Mini goes after Mesa/Boogie Triple Rectifier in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Randall Warhead
Randall
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put MXR Dyna Comp Mini after Randall Warhead in the signal chain, clear of Randall Warhead's own gain stage
Comes later in the signal chain
Blackstar Debut 30E
Blackstar
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep MXR Dyna Comp Mini after Blackstar Debut 30E in the signal chain, clear of Blackstar Debut 30E's own gain stage
Comes later in the signal chain
Blackstar St. James 50 6L6 Combo
Blackstar
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Blackstar St. James 50 6L6 Combo's compressed voice out front: MXR Dyna Comp Mini goes after Blackstar St. James 50 6L6 Combo in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Koch Classictone II 20 Combo
Koch
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Koch Classictone II 20 Combo's crunchy voice out front: MXR Dyna Comp Mini goes after Koch Classictone II 20 Combo in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Blackstar Stage 602 MKII
Blackstar
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Dyna Comp Mini after Blackstar Stage 602 MKII in the signal chain, clear of Blackstar Stage 602 MKII's own gain stage
Comes later in the signal chain
PRS SE 20 Head
PRS
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep PRS SE 20 Head's crunchy voice out front: MXR Dyna Comp Mini goes after PRS SE 20 Head in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Orange Micro Terror
Orange
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
MXR Dyna Comp Mini's mid-forward voice goes after Orange Micro Terror in the signal chain — it's not there to compete with Orange Micro Terror's own crunchy character
Comes later in the signal chain
Park P50M
Park
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Dyna Comp Mini after Park P50M in the signal chain, clear of Park P50M's own gain stage
Comes later in the signal chain