Pedals that stack with the MXR M83

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after MXR CSP036 Il Diavolo Overdrive in the signal chain — it's not there to compete with MXR CSP036 Il Diavolo Overdrive's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M83 after T-Rex Totenschlager in the signal chain, clear of T-Rex Totenschlager's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after Fender Godzilla Distortion Limited Edition in the signal chain — it's not there to compete with Fender Godzilla Distortion Limited Edition's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Matthews Effects The Harbinger Distortion's aggressive voice out front: MXR M83 goes after Matthews Effects The Harbinger Distortion in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M83 after Lovepedal MK12 Super High Gain Dirt Box in the signal chain, clear of Lovepedal MK12 Super High Gain Dirt Box's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M83 after Keeley Magnetic Echo Delay v2 in the signal chain, where it won't crowd Keeley Magnetic Echo Delay v2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M83 after Matthews Effects The Breaker in the signal chain, clear of Matthews Effects The Breaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put T-Rex Junior Roomate after MXR M83 in the signal chain, where it won't crowd MXR M83 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR M83 after Hotone Chunk Distortion in the signal chain, clear of Hotone Chunk Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M83 after Fortin Amplification Kali Pre-Amp in the signal chain, clear of Fortin Amplification Kali Pre-Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep T Rex T-Rex Mean Machine's saturated voice out front: MXR M83 goes after T Rex T-Rex Mean Machine in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after MXR M83 in the signal chain, where it won't crowd MXR M83 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop Echoplex Delay EP103's analog warmth voice out front: MXR M83 goes after Dunlop Echoplex Delay EP103 in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR M83 after JHS Colour Box in the signal chain, clear of JHS Colour Box's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M83 after T-Rex Bloody Mary in the signal chain, clear of T-Rex Bloody Mary's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after Warm Audio Foxy Tone Box in the signal chain — it's not there to compete with Warm Audio Foxy Tone Box's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ibanez SD9 Sonic Distortion's clean boost voice out front: MXR M83 goes after Ibanez SD9 Sonic Distortion in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after SONICAKE King of twins in the signal chain — it's not there to compete with SONICAKE King of twins's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after Catalinbread Octapussy in the signal chain — it's not there to compete with Catalinbread Octapussy's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after Boss MD-2 Mega Distortion in the signal chain — it's not there to compete with Boss MD-2 Mega Distortion's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M83's modulated voice goes after Catalinbread Perseus in the signal chain — it's not there to compete with Catalinbread Perseus's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Malekko Helium MKI's octave voice out front: MXR M83 goes after Malekko Helium MKI in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley octa osi transfigurating fuzz's octave voice out front: MXR M83 goes after Keeley octa osi transfigurating fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cusack Music Subfuzz's saturated voice out front: MXR M83 goes after Cusack Music Subfuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain