Pedals that stack with the MXR Phase 90
← everything about the MXR Phase 90
All 113 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fender Blender
Fender
13% matchLayer the Phase 90's organic sweep after the Blender's dry octave fuzz for movement on an already-strange signal.
Benson Amps Stonk BOX
Benson Amps
13% matchLayer the Phase 90's organic sweep after the Stonk BOX's raw germanium fuzz for movement on an already-gritty signal.
Walrus Audio Eras
Walrus Audio
13% matchFeed the Phase 90 with the Eras' heavy metal distortion and the sweep gets real teeth instead of staying polite.
Mooer A7 Ambience
Mooer
13% matchRun the Phase 90 before the A7 so the phaser sweep gets wrapped in the ambient reverb's church-like tail. — goes in the amp's FX loop (or last, into a clean amp)
EarthQuaker Devices Dispatch Master V2
EarthQuaker Devices
12% matchRun the Phase 90's classic sweep after the Dispatch Master's celebrated delay-reverb blend and the modulation colors the decay directly. — goes in the amp's FX loop (or last, into a clean amp)
Crazy Tube Circuits Echotopia
Crazy Tube Circuits
12% matchRun the Phase 90's classic sweep after the Echotopia's boutique tape echo and the modulation colors the repeats directly. — goes in the amp's FX loop (or last, into a clean amp)
Benson Amps Delay
Benson Amps
12% matchRun the Phase 90's classic sweep after the Benson Delay's ambient slapback repeats and the modulation colors the echoes directly. — goes in the amp's FX loop (or last, into a clean amp)
MXR M103 Blue Box
MXR
12% matchDocumented together in more than one rig — the Blue Box's glitchy octave fuzz gets extra swirl from the Phase 90 stacked right after it. — also used together by 1 artist
Keeley Super AT Mod (Andy Timmons Full-Range Overdrive)
Keeley
12% matchPhase 90's classic swirl colors the Super AT Mod's harmonic drive after the gain stage rather than adding to it.
Eventide Space
Eventide
12% matchRun the Phase 90's classic sweep after the Space's shimmering, studio-grade reverb and the modulation colors the decay directly. — goes in the amp's FX loop (or last, into a clean amp)
Walrus Audio Melee Wall of Noise Black
Walrus Audio
12% matchMelee's noise-rock reverb wash is dense enough that running the Phase 90 first keeps the sweep from disappearing into the wall of sound. — goes in the amp's FX loop (or last, into a clean amp)
Cusack Music Delay TME
Cusack Music
12% matchRun the Phase 90's classic sweep after the Delay TME's reliable echo and the modulation colors the repeats directly. — goes in the amp's FX loop (or last, into a clean amp)
Crazy Tube Circuits White Whale
Crazy Tube Circuits
12% matchRun the Phase 90's classic sweep after the White Whale's harmonic reverb-tremolo and the modulation compounds into something genuinely deep. — goes in the amp's FX loop (or last, into a clean amp)
Meris Mercury7 Reverb
Meris
12% matchThe Phase 90's swirl sits best ahead of the Mercury7's reverb tail, so the modulation gets wrapped in reverb instead of chasing it. — goes in the amp's FX loop (or last, into a clean amp)
Crazy Tube Circuits Mirage Dual Reverb
Crazy Tube Circuits
12% matchRun the Phase 90's classic sweep after the Mirage's swelling, other-worldly reverb and the modulation colors the reverb tail directly. — goes in the amp's FX loop (or last, into a clean amp)
Amptweaker Big Rock Pro
Amptweaker
12% matchRun the Phase 90's classic sweep after the Big Rock Pro's fat, modern distortion and it has serious harmonic content to color.
Aguilar Octamizer (Bass Octaver)
Aguilar
12% matchRun the Phase 90's classic sweep after the Octamizer's glitchy octave tracking and the modulation picks up that pitch-shifted texture.
Crazy Tube Circuits Splash MKIV Reverb
Crazy Tube Circuits
12% matchRun the Phase 90's classic sweep after the Splash MKIV's shimmering, surf-voiced reverb and the modulation colors the reverb tail directly. — goes in the amp's FX loop (or last, into a clean amp)
Walrus Audio Iron Horse
Walrus Audio
12% matchLayer the Phase 90's organic sweep after the Iron Horse's rich, gritty distortion for movement on an already-textured signal.
Hungry Robot The Borderland
Hungry Robot
12% matchPhase 90's classic swirl and the Borderland's ambient reverb both live in the modulation-and-space category, not gain. — goes in the amp's FX loop (or last, into a clean amp)
Hungry Robot Moby Dick V2
Hungry Robot
12% matchPhase 90's classic swirl and Moby Dick V2's ambient wash both work in the modulation space — pair them for motion and depth, not gain. — goes in the amp's FX loop (or last, into a clean amp)
Pigtronix Echolution
Pigtronix
12% matchRun the Phase 90 before the Echolution so the phaser sweep gets picked up and repeated by the pedal's complex delay. — goes in the amp's FX loop (or last, into a clean amp)
JAM Pedals Octaurus
Jam Pedals
12% matchRun the Phase 90 after the Octaurus so its classic sweep rides the octave fuzz's shimmer instead of a clean tone.
Walrus Audio Fathom
Walrus Audio
12% matchThe Phase 90's organic sweep adds motion that the Fathom's own ambient, studio-grade reverb doesn't have on its own. — goes in the amp's FX loop (or last, into a clean amp)