Amps that pair well with the Neunaber Wet Mono Reverb Pedal

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Fender Prosonic answers back warm

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall JTM45 45W Tube Guitar Amp Head after it and the bright edge settles into something more warm

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Gibson EH-150's effects loop, clear of Gibson EH-150's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Orange Little Bass Thing's effects loop, clear of Orange Little Bass Thing's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Orange Terror Bass's effects loop, clear of Orange Terror Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Orange BT1000H Terror Bass 1000-Watt Bass Amp's effects loop, clear of Orange BT1000H Terror Bass 1000-Watt Bass Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Ampeg RB-112's effects loop, clear of Ampeg RB-112's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Ampeg V-4B 100w Bass Head's effects loop, clear of Ampeg V-4B 100w Bass Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gibson EH-185's full voice out front: Neunaber Wet Mono Reverb Pedal goes in Gibson EH-185's effects loop so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in WEM Dominator MkIII's effects loop, clear of WEM Dominator MkIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes in Hartke LH1000 Bass Head's effects loop — it's not there to compete with Hartke LH1000 Bass Head's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Victory Amplifiers V50 The Earl's effects loop, clear of Victory Amplifiers V50 The Earl's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes in Roland JC-120 Jazz Chorus's effects loop — it's not there to compete with Roland JC-120 Jazz Chorus's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes in Hartke LH500 Bass's effects loop — it's not there to compete with Hartke LH500 Bass's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Orange AD200B MK3 200W Bass Head's effects loop, clear of Orange AD200B MK3 200W Bass Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes in Supro Thunderbolt's effects loop — it's not there to compete with Supro Thunderbolt's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal in Magnatone 460E-SPP's effects loop, clear of Magnatone 460E-SPP's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in 3rd Power Lyra 20 1x12" Combo's effects loop, clear of 3rd Power Lyra 20 1x12" Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes in Gallien-Krueger Fusion 115 Combo's effects loop — it's not there to compete with Gallien-Krueger Fusion 115 Combo's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal in Blackstar Unity Bass U250's effects loop, clear of Blackstar Unity Bass U250's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal in Ampeg V4-B Head's effects loop, clear of Ampeg V4-B Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fuchs ODS Classic 25/50 Combo's transparent voice out front: Neunaber Wet Mono Reverb Pedal goes in Fuchs ODS Classic 25/50 Combo's effects loop so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Friedman Little Sister Head's effects loop, clear of Friedman Little Sister Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Gallien-Krueger Legacy 115's effects loop, clear of Gallien-Krueger Legacy 115's own gain stage

Comes earlier in the signal chain