Pedals that stack with the Neunaber Wet Mono Reverb Pedal

Fjord Fuzz Odin

The low gain tone has headroom to spare — Fjord Fuzz Odin gives it fuzzy to fill it with

EarthQuaker Devices Dirt Transmitter

EarthQuaker Devices Dirt Transmitter's fuzzy fills in what this low gain tone doesn't make on its own

Beetronics Overhive

Keep the Wet Reverb after the Overhive — a muted, subtle wash that doesn't fight the drive's own transparent midrange.

Xotic RC Booster

Boost with the RC first, then let the Wet's subtle, studio-grade reverb tail trail a clean, EQ'd signal instead of a raw one.

Cordovox TR-8

Keep the Wet reverb after the TR-8 — the vintage tremolo pulse stays intact and the reverb just adds a muted tail.

Fuzzrocious Cosmic Bull Shark

Put Fuzzrocious Cosmic Bull Shark after Neunaber Wet Mono Reverb Pedal in the signal chain, clear of Neunaber Wet Mono Reverb Pedal's own gain stage

MXR Micro Amp

Put the Micro Amp ahead of the Wet reverb in the chain so the boost shapes the dry tone before the reverb tail gets added, not after.

Gamechanger Audio Plasma Pedal

Keep the Wet reverb after the Plasma — the ionized, natural distortion stays intact and the reverb adds a muted, subtle tail.

Electro-Harmonix Bad

Keep Electro-Harmonix Bad after Neunaber Wet Mono Reverb Pedal in the signal chain, clear of Neunaber Wet Mono Reverb Pedal's own gain stage

Ashdown Macchiato Compressor Guy Pratt Signature

The Wet reverb's muted, subtle wash trails the Macchiato's own compressed bass tone without fighting it.

Pete Cornish LD-1

Documented together in more than one rig — the LD-1's transparent, touring-grade boost feeds the Wet Mono's muted reverb cleanly, without adding its own coloring. — also used together by 1 artist

Walrus Audio Luminary

Run the Wet Mono after the Luminary's tracked octave layers so the reverb catches the stacked harmonics instead of blurring them before they're heard.

EarthQuaker Devices Black Eye Boost

Put the Wet reverb's subtle, studio-clean wash after the Black Eye Boost's transparent push so the decay stays defined instead of murky.

Empress Bass Compressor Blue

Put the Wet reverb's subtle, studio-clean wash after the Bass Compressor's punchy, dynamic compression so the decay trails an already-controlled signal.

Vertex Steel String Slight Return

The Slight Return's transparent, touch-sensitive drive leaves plenty of headroom for the Wet reverb's own muted ambience to follow.

Electronic Audio Experiments Halberd

Put the Wet reverb's subtle, studio-clean wash after the Halberd's transparent, medium-gain drive so the decay stays defined instead of murky.

J. Rockett Majestic

Keep the Wet's muted reverb wash after the Majestic so the drive's transparent midrange isn't buried under ambience.

Lovepedal Eternity

Let the Wet's muted reverb wash trail the Eternity's transparent, natural overdrive.

Electro-Harmonix LPB-1

Keep the Wet reverb after the LPB-1 — the natural, transparent boost stays clean and the reverb adds a muted, subtle tail.

Xotic Effects SSB Super Clean Booster

Keep the Wet reverb after the SSB — the transparent clean boost stays natural and the reverb just adds a muted, subtle tail.

Footloose Effects Brundlefly

Put Neunaber Wet Mono Reverb Pedal after Footloose Effects Brundlefly in the signal chain, clear of Footloose Effects Brundlefly's own gain stage

Truetone V3 Route 66 Overdrive

Keep the Wet reverb after the Route 66 — the compressed, American-voiced drive stays intact and the reverb adds a muted, subtle tail.

NuX Metal Core Deluxe MKII

Keep the Wet reverb after the Metal Core Deluxe — the gated high-gain distortion stays tight and the reverb adds a muted, subtle tail.

Walrus Audio Voyager

The Voyager's transparent, musical drive stays natural in front of the Wet reverb's own studio-grade, muted wash.