Pedals that stack with the Neunaber Wet Mono Reverb Pedal

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after DigiTech DOD Gunslinger Mosfet Distortion in the signal chain, clear of DigiTech DOD Gunslinger Mosfet Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix NC's analog warmth voice out front: Neunaber Wet Mono Reverb Pedal goes after Electro-Harmonix NC in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Dunlop JIM Dunlop JH-M8 Jimi Hendrix Gypsy in the signal chain, clear of Dunlop JIM Dunlop JH-M8 Jimi Hendrix Gypsy's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after EarthQuaker Devices Blumes V1 Low Signal Shredder in the signal chain, clear of EarthQuaker Devices Blumes V1 Low Signal Shredder's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Rarebird effects Transformer Preamp 63 in the signal chain, clear of Rarebird effects Transformer Preamp 63's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after Jackson Audio Optimist in the signal chain, clear of Jackson Audio Optimist's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after TC Electronic Vintage Dual Distortion in the signal chain, clear of TC Electronic Vintage Dual Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep SolidGoldFX Beta-V's modulated voice out front: Neunaber Wet Mono Reverb Pedal goes after SolidGoldFX Beta-V in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Strymon Fairfax Preamp in the signal chain, clear of Strymon Fairfax Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal after Catalinbread SFT: Sapphire in the signal chain, clear of Catalinbread SFT: Sapphire's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes after Catalinbread Formula 5F6 in the signal chain — it's not there to compete with Catalinbread Formula 5F6's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Neunaber Wet Mono Reverb Pedal after HomeBrew Electronics CPR Compressor Retro in the signal chain, where it won't crowd HomeBrew Electronics CPR Compressor Retro

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes after Catalinbread SFT Ampeg Flip-Top Style Overdrive in the signal chain — it's not there to compete with Catalinbread SFT Ampeg Flip-Top Style Overdrive's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Vemuram Shanks in the signal chain, clear of Vemuram Shanks's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after Blackstar Dept. 10 Dual Drive in the signal chain, clear of Blackstar Dept. 10 Dual Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Pigtronix Octava in the signal chain, clear of Pigtronix Octava's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Carl Martin Bass Chorus's analog warmth voice out front: Neunaber Wet Mono Reverb Pedal goes after Carl Martin Bass Chorus in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Neunaber Wet Mono Reverb Pedal's pristine voice goes after Mojo Hand FX RVT in the signal chain — it's not there to compete with Mojo Hand FX RVT's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon Eventide TriceraChorus's modulated voice out front: Neunaber Wet Mono Reverb Pedal goes after Strymon Eventide TriceraChorus in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Neunaber Wet Mono Reverb Pedal after Fender Smolder in the signal chain, clear of Fender Smolder's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ibanez FL-9 Flanger's analog warmth voice out front: Neunaber Wet Mono Reverb Pedal goes after Ibanez FL-9 Flanger in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Nirvana Chorus's warm voice out front: Neunaber Wet Mono Reverb Pedal goes after Wampler Nirvana Chorus in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after Mad Professor Big Tweedy Drive in the signal chain, clear of Mad Professor Big Tweedy Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Voyager's transparent, musical drive stays natural in front of the Wet reverb's own studio-grade, muted wash.

Comes earlier in the signal chain