Amps that pair well with the Nobels ODR-1

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The ODR-1's thick, transparent midrange push gives the Dual Rectifier's valve-driven metal gain a more focused amp voice to dig into.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Revv Generator G20 20-Watt 2-Channel Tube Head layers high gain onto an already mid-forward signal

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Nobels ODR-1 pushes a crunchy tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The ODR-1's transparent midrange push works with the Mark V's own woody, organic voicing rather than fighting it for space.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 pushes a high gain tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

Nobels ODR-1 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Nobels ODR-1 on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Nobels ODR-1 on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Nobels ODR-1 leans it toward mid-forward to fill it in

Comes later in the signal chain

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Nobels ODR-1 leans it toward mid-forward to fill it in

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 pushes a high gain tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Nobels ODR-1 leans it toward mid-forward to fill it in

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Nobels ODR-1 on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain