Pedals that stack with the Nobels ODR-1

“in the Nobels ODR-1 tradition”— from the truetone-vs-xo listing

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The ODR-1's thick, transparent mid-drive feeds the Odin's heavy doom fuzz a fuller signal to saturate.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

EarthQuaker Devices Dirt Transmitter stacks fuzzy on top of the mid-forward already here

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Nobels ODR-1 pushes a scooped tone toward mid-forward

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack the ODR-1's thick, transparent midrange push with the Hot Wax's own transparent, coloring drive for two distinct low-gain textures.

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The ODR-1's thick, transparent midrange drive gives the Drop's tracked pitch-shifting real gain to push through.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Nobels ODR-1 pushes a scooped tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run Nobels ODR-1 into that transparent platform and it finally leans toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

Nobels ODR-1's full voice suits Zoom MS-60B+'s own full character

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1's own full character is the real reason this is worth trying

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain