Pedals that stack with the Nobels ODR-1
← everything about the Nobels ODR-1
All 120 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Mooer Micro Preamp 013 Matchbox
Mooer
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Subdecay Super-nova Drive
Subdecay
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Mesa Boogie Grid Slammer Overdrive
Mesa Boogie
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Cornerstone Colosseum LTD BK
Cornerstone
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Electro-Harmonix Signal Pad
Electro-Harmonix
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own
Black Arts Toneworks Sarcophagus
Black Arts Toneworks
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Nobels ODR-1 takes that scooped character and pushes it toward mid-forward
Comes later in the signal chain
Carl Martin Dual Injection
Carl Martin
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own
Wadsworth Music Engager Boost
Wadsworth Music
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes earlier in the signal chain
Zevex Zvex Distortron
Zevex
21% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Nobels ODR-1 pushes a high gain tone toward mid-forward
Comes later in the signal chain
Revv Amplification G4-V2
Revv
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Nobels ODR-1 pushes a scooped tone toward mid-forward
Comes later in the signal chain
NUX Metal Core Deluxe
Nux
20% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Nobels ODR-1 pushes a high gain tone toward mid-forward
Comes later in the signal chain
Matthews Effects Architect
Matthews Effects
20% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Nobels ODR-1 on top and a high gain tone tightens toward mid-forward
Valco Under Pressure Classic Compressor
Valco
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around
Comes earlier in the signal chain
MXR M135 Smart Gate
MXR
20% matchNobels ODR-1's own full character is the real reason this is worth trying
Comes later in the signal chain
Keeley Super Rodent
Keeley
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Comes later in the signal chain
Shins Music Shin's Music BOG Wah
Shins Music
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans toward full, and that's a real, usable character to pair with
Comes earlier in the signal chain
MXR CSP204 Custom Comp Deluxe
MXR
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans toward full, and that's a real, usable character to pair with
Comes earlier in the signal chain
Wampler Reflection
Wampler
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Lovepedal ET-ST Eternity Stack
Lovepedal
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Behringer Octave Divider
Behringer
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1's own full character is the real reason this is worth trying
Comes earlier in the signal chain
Orange Amp Detonator
Orange
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans toward full, and that's a real, usable character to pair with
Comes later in the signal chain
Ashdown ADMS1 Studio Compressor
Ashdown
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans toward full, and that's a real, usable character to pair with
Comes earlier in the signal chain
Carl Martin Echotone
Carl Martin
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Browne Amplification The Fixer Dual Boost/Buffer
Browne Amplification
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own