Pedals that stack with the Nobels ODR-1

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Nobels ODR-1 brings here leans toward full — that's worth building a pairing around

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes earlier in the signal chain

Nobels ODR-1's own full character is the real reason this is worth trying

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Nobels ODR-1 on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

Nobels ODR-1 takes that edge of breakup character and pushes it toward mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 pushes a high gain tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Nobels ODR-1 on top and a scooped tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 pushes a high gain tone toward mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Nobels ODR-1 leans toward full, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Nobels ODR-1 pushes a crunchy tone toward mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Nobels ODR-1 pushes a high gain tone toward mid-forward

Comes later in the signal chain

Keep Electro-Harmonix XO Deluxe Memory Man after Nobels ODR-1 in the signal chain, clear of Nobels ODR-1's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain