Pedals that stack with the Orange AD200B 200W Bass Head
← everything about the Orange AD200B 200W Bass Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Catalinbread VariOboost
Catalinbread
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Catalinbread VariOboost after it and the warm edge settles into something more bright
Goes in front of the amp
Ashdown Triple Shot
Ashdown
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Into the AD200B's simple, stoner-voiced valve grind, Triple Shot's frequency-shaped drive pushes real warmth.
Goes in front of the amp
J. Rockett Archer
pedal
23% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)
J. Rockett Archer pushes a edge of breakup tone toward low gain
Goes in front of the amp
TC Electronic Stereo Chorus Flanger
TC Electronic
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Stereo Chorus Flanger after Orange AD200B 200W Bass Head in the signal chain, clear of Orange AD200B 200W Bass Head's own gain stage
Goes in front of the amp
Boss RV-6 Reverb
Boss
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Put Boss RV-6 Reverb in Orange AD200B 200W Bass Head's effects loop, clear of Orange AD200B 200W Bass Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Free The Tone Ambi Space
Free The Tone
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Keep Free The Tone Ambi Space in Orange AD200B 200W Bass Head's effects loop, clear of Orange AD200B 200W Bass Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss Monte Allums Modded MT-2
Boss
12% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Orange AD200B 200W Bass Head's own warm character is the real reason this is worth trying
Goes in front of the amp