Pedals that stack with the Orange OR60 Head (Black)

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

JHS Angry Charlie is voiced for Marshall-style amps — Orange OR60 Head (Black) gives it exactly that

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

The high headroom tone has headroom to spare — Colorsound Overdriver leans it toward fuzzy to fill it in

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

The high headroom tone has headroom to spare — Walrus Audio Eons leans it toward fuzzy to fill it in

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange OR60 Head (Black)'s mid-forward voice out front: Boss BF-2 Flanger goes after Orange OR60 Head (Black) in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Binson Echorec Delay in Orange OR60 Head (Black)'s effects loop, clear of Orange OR60 Head (Black)'s own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Into Orange OR60 Head (Black), Catalinbread Dirty Little Secret Deluxe is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop