Pedals that stack with the Orange TH30

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Catalinbread RAH on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Into Orange TH30, JHS Angry Charlie is right at home: it's built around Marshall-style amps

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Colorsound Overdriver stacks fuzzy on top of the mid-forward already here

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro Orbit after Orange TH30 in the signal chain, clear of Orange TH30's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Demeter Compulator's own smooth character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange TH30's transparent voice out front: Caroline Guitar Company Kilobyte goes in Orange TH30's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange TH30's transparent voice out front: Catalinbread Belle Epoch goes in Orange TH30's effects loop so its analog warmth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop