Origin Effects Halcyon Green Overdrive

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Marshall JVM410H stacks high gain on top of the mid-forward already here

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Soldano SLO 100 100-Watt Tube Guitar Amplifier for more high gain on top

Comes later in the signal chain

Comes later in the signal chain

Mesa/Boogie Stiletto Deuce Stage II stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Hughes & Kettner Coreblade stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Marshall Studio JCM900 SN20H stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Run mid-forward into Friedman BE-Mini Head for more high gain on top

Comes later in the signal chain

Put Hughes & Kettner Warp 7 in front and the mid-forward tone leans further toward high gain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Cusack Music Tap-A-Fuzz layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put EarthQuaker Devices Dirt Transmitter in front and the mid-forward tone leans further toward fuzzy

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Ashdown Studio Compressor brings here leans toward compressed — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Halcyon Green's studio-voiced overdrive gives the Phase 90 something harmonically rich to sweep across, rather than a flat clean signal.

Comes later in the signal chain

Feed the Memory Man's lush analog echo with the Halcyon Green's dynamic, midrange-forward tube drive and the repeats carry real responsiveness forward. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Origin Effects Halcyon Green Overdrive in the signal chain — it's not there to compete with Origin Effects Halcyon Green Overdrive's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Death By Audio Destruction layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

Run mid-forward into Dr. Scientist Frazz Dazzler V2 for more fuzzy on top