Pedals that stack with the Ortega BeatNICK Digitale Stomp Box

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Wren and Cuff Box of War Small Foot Fuzz in front and the mid-forward tone leans further toward high gain

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CE-1 Chorus Ensemble after Ortega BeatNICK Digitale Stomp Box in the signal chain, clear of Ortega BeatNICK Digitale Stomp Box's own gain stage

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ortega BeatNICK Digitale Stomp Box leans toward pristine, and that's a real, usable character to pair with

Comes earlier in the signal chain

Keep Ortega BeatNICK Digitale Stomp Box's pristine voice out front: Alexander Pedals Radical Delay goes after Ortega BeatNICK Digitale Stomp Box in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Caroline Guitar Company Meteore's pristine voice goes after Ortega BeatNICK Digitale Stomp Box in the signal chain — it's not there to compete with Ortega BeatNICK Digitale Stomp Box's own pristine character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain