Pedals that stack with the Park P18C Combo
← everything about the Park P18C Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Browne Amplification Carbon
Browne Amplification
25% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)
Feed a saturated signal into Browne Amplification Carbon and it comes out closer to clean boost
Goes in front of the amp
Friedman BE-OD
Friedman
25% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Friedman BE-OD pushes a saturated tone toward tight
Goes in front of the amp
Analog Man King of Tone
Analog Man
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)
Feed a saturated signal into Analog Man King of Tone and it comes out closer to clean boost
Goes in front of the amp
DryBell Unit67 Compressor
Drybell
17% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
DryBell Unit67 Compressor leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Caroline Guitar Company Somersault
Caroline Guitar Company
7% matchRun Caroline Guitar Company Somersault after Park P18C Combo in the signal chain, clear of Park P18C Combo's own gain stage
Goes in front of the amp
TC Electronic Triple Flashback Delay
TC Electronic
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put TC Electronic Triple Flashback Delay in Park P18C Combo's effects loop, clear of Park P18C Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop - MXR Carbon Copy Deluxe Analog Delay
Dunlop
6% matchDunlop - MXR Carbon Copy Deluxe Analog Delay's analog warmth voice goes in Park P18C Combo's effects loop — it's not there to compete with Park P18C Combo's own saturated character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop