Pedals that stack with the Park P75H

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Park P75H takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Park P75H and it comes out closer to mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

The P75H's British, hard-rock headroom gives the LSTR's scooped, doom-voiced fuzz a midrange-forward amp voice.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Park P75H takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Push the P75H's British midrange headroom with the RAT 2's bright, cutting distortion and the two stack instead of just adding volume.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Run Beetronics Swarm into that high headroom platform and it finally leans toward fuzzy

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Stack Park P75H on top and a edge of breakup tone tightens toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Park P75H takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Park P75H and it comes out closer to mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Park P75H and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Park P75H pushes a crunchy tone toward mid-forward

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Stack Park P75H on top and a edge of breakup tone tightens toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Park P75H's full voice out front: MXR Phase 90 goes after Park P75H in the signal chain so its analog warmth voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

Universal Audio 1176 Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

Catalinbread Dirty Little Secret Deluxe is voiced for Marshall-style amps — Park P75H gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Park P75H gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop