Pedals that stack with the Park PMV800
← everything about the Park PMV800
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS Angry Charlie
JHS Pedals
22% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
JHS Angry Charlie is voiced for Marshall-style amps — Park PMV800 gives it exactly that
Goes in front of the amp
Analog Man King of Tone
Analog Man
21% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)
Analog Man King of Tone pushes a crunchy tone toward clean boost
Goes in front of the amp
EarthQuaker Devices White Light
EarthQuaker Devices
21% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
EarthQuaker Devices White Light stacks high gain on top of the mid-forward already here
Goes in front of the amp
Heavy Metal FX HMFX Phase Riot Factory Second
Heavy Metal Fx
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Heavy Metal FX HMFX Phase Riot Factory Second after Park PMV800 in the signal chain, clear of Park PMV800's own gain stage
Goes in front of the amp
Jackson Audio Bloom V2 Compressor/EQ
Jackson Audio
7% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Park PMV800's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Crazy Tube Circuits Splash
Crazy Tube Circuits
5% matchKeep Crazy Tube Circuits Splash in Park PMV800's effects loop, clear of Park PMV800's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Crazy Tube Circuits Splash MKIV Reverb
Crazy Tube Circuits
5% matchCrazy Tube Circuits Splash MKIV Reverb's spring voice goes in Park PMV800's effects loop — it's not there to compete with Park PMV800's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop