Pedals that stack with the Peavey Classic® 20

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Run Tone City Model B Distortion TC-T31 into that high headroom platform and it finally leans toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

The high headroom tone has headroom to spare — Catalinbread Formula 5F6 leans it toward mid-forward to fill it in

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

The high headroom tone has headroom to spare — JHS MoonShine Overdrive leans it toward mid-forward to fill it in

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Peavey Classic® 20 in the signal chain, clear of Peavey Classic® 20's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Peavey Classic® 20 leans toward edge of breakup, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Binson Echorec Delay in Peavey Classic® 20's effects loop, clear of Peavey Classic® 20's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon El Capistan dTape Echo in Peavey Classic® 20's effects loop, clear of Peavey Classic® 20's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop