Pedals that stack with the Peavey MAX 150 150W 1x12 Bass Combo
← everything about the Peavey MAX 150 150W 1x12 Bass Combo
All 34 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Wampler Latitude Deluxe Tremolo
Wampler
35% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Peavey MAX 150 150W 1x12 Bass Combo after it and the warm edge settles into something more bright
Goes in front of the amp
MXR Phase 90
MXR
32% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Let the Phase 90's classic sweep color the MAX 150's own midrange-forward bass tone with subtle movement.
Goes in front of the amp
Echoplex EP-3
Echoplex
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Tech 21 SansAmp Bass Driver DI V2
Tech 21
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The SansAmp Bass Driver's studio-style preamp drive gives the MAX 150's own solid bass platform a analog-feeling push its stock gain doesn't have.
Goes in front of the amp
Greer Soma
Greer
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Soma after it and the bright edge settles into something more warm
Goes in front of the amp
Behringer Chorus Symphony
Behringer
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Peavey MAX 150 150W 1x12 Bass Combo answers back bright
Goes in front of the amp
Red Witch Titan
Red Witch
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Peavey MAX 150 150W 1x12 Bass Combo answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Anarchy Audio Flutterby Tremolo
Anarchy Audio
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the MAX 150's mid-forward bass EQ, Flutterby's asymmetrical tremolo pulse stays defined instead of getting buried.
Goes in front of the amp
Citadel Planetary Phase
Citadel
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it
Goes in front of the amp
Catalinbread SFT
Catalinbread
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
The MAX 150's present, mid-forward bass gain gives the SFT's thick, compressed British drive a defined front end to push into.
Goes in front of the amp
Mesa Boogie Flux-Drive
Mesa Boogie
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Mesa Boogie Flux-Drive answers back warm
Goes in front of the amp
Strymon Ola dBucket Chorus
Strymon
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it
Goes in front of the amp
Behringer BM-18M Cluster Box
Behringer
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Peavey MAX 150 150W 1x12 Bass Combo after it and the warm edge settles into something more bright
Goes in front of the amp
EarthQuaker Devices Blumes
EarthQuaker Devices
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo's bright balances out the warm tone
Goes in front of the amp
Spaceman Aurora Analog Flanger
Spaceman
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo's bright balances out the warm tone
Goes in front of the amp
TC Electronic Vintage Dual Distortion
TC Electronic
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo's bright balances out the warm tone
Goes in front of the amp
JAM Pedals RetroVibe mk.2
Jam Pedals
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it
Goes in front of the amp
Tone City Angel Wing Chorus TC-T11
Tone City
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Peavey MAX 150 150W 1x12 Bass Combo answers back bright
Goes in front of the amp
Walrus Audio Monument V2
Walrus Audio
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it
Goes in front of the amp
Matthews Effects The Surgeon Delay V2
Matthews Effects
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
ThorpyFX Deep Oggin V2 Chorus/Vibrato
ThorpyFX
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo leans bright right where the warm tone needs it
Goes in front of the amp
Ashdown Velvet Compressor
Ashdown
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Goes in front of the amp
NUX Steel Singer
Nux
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Peavey MAX 150 150W 1x12 Bass Combo answers back bright
Goes in front of the amp
Black Rabbit Little Earthquakes
Black Rabbit
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Peavey MAX 150 150W 1x12 Bass Combo's bright balances out the warm tone
Goes in front of the amp