Pedals that stack with the Peavey Max 300

← everything about the Peavey Max 300

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Ashdown Geezer Butler Signature

Ashdown

22% match
$234.01via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Ashdown Geezer Butler Signature leans this high headroom tone toward low gain, which it doesn't make on its own

Goes in front of the amp

Mesa Boogie Flux-Drive

Mesa Boogie

21% match
$179via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → crunchy)

Mesa Boogie Flux-Drive leans this high headroom tone toward crunchy, which it doesn't make on its own

Goes in front of the amp

Walrus Audio Eons

Walrus Audio

20% match
$210.04via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Walrus Audio Eons leans this high headroom tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

Boss BF-2 Flanger

Boss

14% match
$100via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Peavey Max 300's mid-forward voice out front: Boss BF-2 Flanger goes after Peavey Max 300 in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

Lab Ratz 3D Boum Warming Unit

Lab Ratz 3d

12% match
$29.99via Reverb

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Peavey Max 300's own mid-forward character is the real reason this is worth trying

Goes in front of the amp

Eventide Modulated Delay

Eventide

8% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Peavey Max 300's effects loop — it's not there to compete with Peavey Max 300's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Caroline Guitar Company Kilobyte

Caroline Guitar Company

8% match
$199via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Kilobyte in Peavey Max 300's effects loop, clear of Peavey Max 300's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

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