Pedals that stack with the Peavey Max 300
← everything about the Peavey Max 300
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
22% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Ashdown Geezer Butler Signature leans this high headroom tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Mesa Boogie Flux-Drive
Mesa Boogie
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → crunchy)
Mesa Boogie Flux-Drive leans this high headroom tone toward crunchy, which it doesn't make on its own
Goes in front of the amp
Walrus Audio Eons
Walrus Audio
20% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Walrus Audio Eons leans this high headroom tone toward fuzzy, which it doesn't make on its own
Goes in front of the amp
Boss BF-2 Flanger
Boss
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Peavey Max 300's mid-forward voice out front: Boss BF-2 Flanger goes after Peavey Max 300 in the signal chain so its lush voice doesn't muddy it
Goes in front of the amp
Lab Ratz 3D Boum Warming Unit
Lab Ratz 3d
12% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Peavey Max 300's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Eventide Modulated Delay
Eventide
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Eventide Modulated Delay's modulated voice goes in Peavey Max 300's effects loop — it's not there to compete with Peavey Max 300's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Caroline Guitar Company Kilobyte
Caroline Guitar Company
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Caroline Guitar Company Kilobyte in Peavey Max 300's effects loop, clear of Peavey Max 300's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop