Pedals that stack with the Peavey MiniMAX II Bass Head
← everything about the Peavey MiniMAX II Bass Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Greer Soma
Greer
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Soma answers back warm
Goes in front of the amp
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Peavey MiniMAX II Bass Head in the signal chain, clear of Peavey MiniMAX II Bass Head's own gain stage
Goes in front of the amp
Greer Mizuki blue
Greer
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Goes in front of the amp
Catalinbread SFT
Catalinbread
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Catalinbread SFT answers back warm
Goes in front of the amp
Ashdown Velvet Compressor
Ashdown
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
T-Rex Junior Roomate
T Rex
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Peavey MiniMAX II Bass Head's tight voice out front: T-Rex Junior Roomate goes in Peavey MiniMAX II Bass Head's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Line 6 DL4 Delay Modeler
pedal
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Line 6 DL4 Delay Modeler in Peavey MiniMAX II Bass Head's effects loop, clear of Peavey MiniMAX II Bass Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop