Pedals that stack with the Peavey TNT-115

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain layers fuzzy onto an already mid-forward signal

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mesa Boogie Flux-Drive's warm balances out the bright tone

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put EarthQuaker Devices Hoof in front and the mid-forward tone leans further toward fuzzy

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Chorus after Peavey TNT-115 in the signal chain, clear of Peavey TNT-115's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep T-Rex Junior Roomate in Peavey TNT-115's effects loop, clear of Peavey TNT-115's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler in Peavey TNT-115's effects loop, clear of Peavey TNT-115's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop