Pedals that stack with the Phil Jones Compact 2 (C2 Black)

Walrus Audio Ages 5-state

Phil Jones Compact 2 (C2 Black) pushes a saturated tone toward tight

NuX Ace of Tone Dual Overdrive

Feed a saturated signal into Phil Jones Compact 2 (C2 Black) and it comes out closer to tight

Matthews Effects The Cartographer Parametric Overdrive

Stack Phil Jones Compact 2 (C2 Black) on top and a saturated tone tightens toward tight

Bogner Uberschall

Stack Phil Jones Compact 2 (C2 Black) on top and a high gain tone tightens toward tight

Death By Audio Basswar

Phil Jones Compact 2 (C2 Black) takes that high gain character and pushes it toward tight

Dunlop MXR Distortion III, model M115

Feed a high gain signal into Phil Jones Compact 2 (C2 Black) and it comes out closer to tight

Fuzzrocious Pedals Baby Furnace

Stack Phil Jones Compact 2 (C2 Black) on top and a saturated tone tightens toward tight

Dallas Rangemaster Treble Booster

The Compact 2's articulate, gigging-ready voice gives the Rangemaster's germanium treble boost a defined front end to brighten.

ProCo RAT 2

The RAT's dark, cutting distortion is a rawer edge than the Compact 2's own articulate, monitoring-grade clean offers on its own.

MXR Distortion+

Even through the Compact 2's articulate monitoring platform, the Distortion+'s gritty compression still cuts through clean.

MXR Phase 90

Even through the Compact 2's articulate monitoring platform, the Phase 90's classic sweep still reads clean and defined.

Ashdown Macchiato Compressor Guy Pratt Signature

The Macchiato's studio-grade compression evens out the attack before it ever reaches the Compact 2's own articulate, gigging-ready voice.

Walrus Audio Mako D1 High-Fidelity Stereo Delay V1

Keep the Mako D1 in the Compact 2's loop for vintage-modulated digital delay beyond the combo's own articulate clarity. — goes in the amp's FX loop (or last, into a clean amp)

Roland SDE-3000D

Run the SDE-3000D in the Compact 2's loop for iconic digital delay beyond the combo's own articulate monitoring clarity. — goes in the amp's FX loop (or last, into a clean amp)