Pedals that stack with the Pignose 7-100

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

J. Rockett The Dude takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

JHS MoonShine Overdrive pushes a crunchy tone toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Cusack Music Screamer and it comes out closer to mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Pignose 7-100 in the signal chain, clear of Pignose 7-100's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Pignose 7-100 brings here leans toward crunchy — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Catacombs in Pignose 7-100's effects loop, clear of Pignose 7-100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Universal Audio Golden Reverberator in Pignose 7-100's effects loop, clear of Pignose 7-100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop