Pedals that stack with the PRS HX 100 Head

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Run ProCo RAT 2 into that high headroom platform and it finally leans toward low gain

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Into a high headroom tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Browne Amplification Gritador brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → medium gain)

PRS HX 100 Head leans this high headroom tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → medium gain)

Into a high headroom tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

PRS HX 100 Head's own high headroom character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

PRS HX 100 Head leans bright right where the warm tone needs it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep PRS HX 100 Head's high headroom voice out front: MXR Phase 90 goes after PRS HX 100 Head in the signal chain so its analog warmth voice doesn't muddy it

Goes in front of the amp

PRS HX 100 Head's own high headroom character is the real reason this is worth trying

Goes in front of the amp

What PRS HX 100 Head brings here leans toward high headroom — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

PRS HX 100 Head's own high headroom character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

What PRS HX 100 Head brings here leans toward high headroom — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, PRS HX 100 Head brings a pull toward medium gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

PRS HX 100 Head leans this transparent tone toward medium gain, which it doesn't make on its own

Goes in front of the amp