Pedals that stack with the PRS Mary-Cries Compressor

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

JHS Pedals JHS Kilt V10 leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Mesa Boogie Dynaplex Crunch leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Electro-Harmonix Ripped Speaker brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Beetronics WhoctaHell Low Octave Fuzz brings here leans toward octave — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

DSM & Humboldt Electronics Simplifier's own pristine character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Tone City Rubine Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

ThorpyFX Field leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What ThorpyFX THE Field Marshal MKII Fuzz brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Wren and Cuff The Good One brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after PRS Mary-Cries Compressor in the signal chain, where it won't crowd PRS Mary-Cries Compressor — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after PRS Mary-Cries Compressor in the signal chain, where it won't crowd PRS Mary-Cries Compressor — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain