Pedals that stack with the Quilter Overdrive 200 Head

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Into Quilter Overdrive 200 Head, Friedman BE-OD is right at home: it's built around a clean amp's front end

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

EarthQuaker Devices '- Speaker Cranker takes that edge of breakup character and pushes it toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Feed a edge of breakup signal into J. Rockett Archer and it comes out closer to low gain

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fulltone Supa-Trem ST-1 after Quilter Overdrive 200 Head in the signal chain, clear of Quilter Overdrive 200 Head's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Quilter Overdrive 200 Head's dynamic character and Wampler Mini Ego 76 Compressor's compressed voice sit in the same lane rather than fighting each other

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Quilter Overdrive 200 Head's effects loop, clear of Quilter Overdrive 200 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mr. Black Bloodmoon in Quilter Overdrive 200 Head's effects loop, clear of Quilter Overdrive 200 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop