Pedals that stack with the Randall Century 200

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Catalinbread VariOboost answers back bright

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Xotic EP Booster's bright balances out the warm tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy leans bright right where the warm tone needs it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Aalberg Audio Trym after Randall Century 200 in the signal chain, clear of Randall Century 200's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Roland Corp US LMB-3's own bright character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-6 Reverb's shimmer voice goes in Randall Century 200's effects loop — it's not there to compete with Randall Century 200's own aggressive character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Catalinbread Echorec in Randall Century 200's effects loop, clear of Randall Century 200's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop