Pedals that stack with the Randall Lynch Box

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss CE-2 Chorus after Randall Lynch Box in the signal chain, clear of Randall Lynch Box's own gain stage

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into MXR Micro Amp and it comes out closer to clean boost

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Carl Martin Purple Moon for more fuzzy on top

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

What Whirlwind Rochester Red Box brings here leans toward smooth — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

The Fuzz Factory's tight, gated germanium fuzz gives the Lynch Box's thick, cutting metal rhythm voice something stranger than more distortion.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the DD-8's ambient delay in the Lynch Box's loop, after its tight, cutting high-gain rhythm tone, so it doesn't get buried. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery in Randall Lynch Box's effects loop, clear of Randall Lynch Box's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop