Pedals that stack with the Randall Warhead
← everything about the Randall Warhead
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS MoonShine Overdrive
JHS Pedals
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into JHS MoonShine Overdrive and it comes out closer to mid-forward
Goes in front of the amp
J. Rockett The Dude
J Rockett
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack J. Rockett The Dude on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
Nobels ODR-1
Nobels
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Nobels ODR-1 and it comes out closer to mid-forward
Goes in front of the amp
MXR Dyna Comp Mini
MXR
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put MXR Dyna Comp Mini after Randall Warhead in the signal chain, clear of Randall Warhead's own gain stage
Goes in front of the amp
Pigtronix Philosopher's Tone Micro
Pigtronix
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
What Pigtronix Philosopher's Tone Micro brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Boss RV-5 Digital Reverb
pedal
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Boss RV-5 Digital Reverb's spring voice goes in Randall Warhead's effects loop — it's not there to compete with Randall Warhead's own pristine character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Wampler Catacombs
Wampler
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Wampler Catacombs in Randall Warhead's effects loop, clear of Randall Warhead's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop