Pedals that stack with the Revv Dynamis D20 MkII 20W Head

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Electro-Harmonix Green Russian Big Muff and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The Shiba Drive's vintage, articulate overdrive pushes the D20's own tight, silent high-gain voice into something more musical.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Keep Revv Dynamis D20 MkII 20W Head's tight voice out front: Electro-Harmonix Deluxe Electric Mistress goes after Revv Dynamis D20 MkII 20W Head in the signal chain so its shimmer voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Run the Cory Wong before the D20 for funky, punchy optical compression before the amp's own tight, silent high-gain reacts.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Hungry Robot Moby Dick V2 in Revv Dynamis D20 MkII 20W Head's effects loop, clear of Revv Dynamis D20 MkII 20W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run the Borderland in the Dynamis D20's loop so its ambient reverb stays isolated from the head's own tight, articulate gain. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop