Pedals that stack with the Revv Generator 120 MkIII 4-Channel 120W Head

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Strymon Eventide TriceraChorus after Revv Generator 120 MkIII 4-Channel 120W Head in the signal chain, clear of Revv Generator 120 MkIII 4-Channel 120W Head's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Feed a high gain signal into Fjord Fuzz Fjaer Spring Reverb and it comes out closer to lush

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Electro-Harmonix Green Russian Big Muff and it comes out closer to mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Stack Carl Martin Purple Moon on top and a high gain tone tightens toward modulated

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Free the Tone Future Factory FY-1 in Revv Generator 120 MkIII 4-Channel 120W Head's effects loop, clear of Revv Generator 120 MkIII 4-Channel 120W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Fender Marine Layer Reverb in Revv Generator 120 MkIII 4-Channel 120W Head's effects loop, clear of Revv Generator 120 MkIII 4-Channel 120W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Crazy Tube Circuits Golden Ratio brings here leans toward tight — that's worth building a pairing around

Goes in front of the amp