The Ross "Distorsion" is a Ross distortion pedal. Close alternatives include the T-Rex Bloody Mary and the Crazy Tube Circuits Orama. It pairs well with the Peavey MiniMAX and the Hiwatt Custom DR20H.
Ross "Distorsion"
Ross · pedal
The Ross Distortion is a classic American distortion pedal from the late 1970s, producing warm, harmonically rich distortion with the characteristic smooth, compressed saturation of Ross circuit design. The Ross Distortion is a vintage classic that influenced many subsequent distortion designs and is sought after by collectors and tone enthusiasts.
What stands out
“The Ross Distortion is a classic American distortion pedal from the late 1970s, producing warm, harmonically rich distortion with the characteristic smooth, compressed saturation of Ross circuit design”
— from the listing
“The Ross Distortion is regarded as a vintage American distortion classic, valued for warm, smooth compression and harmonically rich saturation”
— from the community notes
“Blues and rock players who want the authentic vintage Ross distortion character find it a sought-after piece of gear”
— from the community notes
“The Ross Distortion delivers warm, harmonically rich distortion with the characteristic smooth, compressed saturation of the vintage Ross circuit”
— from the reviews
“The Ross Distortion is a vintage classic that influenced many subsequent distortion designs and is sought after by collectors and tone enthusiasts”
— from the listing
- distortion
- harmonically rich
- smooth
- vintage
- compressed
- compression
- blues
- saturation
Genres the Ross "Distorsion" is commonly used in
- Blues
- Classic Rock
- Rock
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Metal
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Ross "Distorsion"
Peavey MiniMAX
Peavey
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Peavey MiniMAX pushes a saturated tone toward tight
Comes later in the signal chain
Hiwatt Custom DR20H
Hiwatt
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Hiwatt Custom DR20H pushes a saturated tone toward tight
Comes later in the signal chain
Peavey MiniMAX II Bass Head
Peavey
tonal matchComes later in the signal chain
Stack Peavey MiniMAX II Bass Head on top and a saturated tone tightens toward tight
Hiwatt Leeds AC60
Hiwatt
tonal matchComes later in the signal chain
Feed a saturated signal into Hiwatt Leeds AC60 and it comes out closer to tight
Gallien-Krueger MB115MK2
Gallien Krueger
tonal matchComes later in the signal chain
Gallien-Krueger MB115MK2 takes that saturated character and pushes it toward tight
Blackstar HTV-212 Bronco TAN
Blackstar
tonal matchComes later in the signal chain
Feed a saturated signal into Blackstar HTV-212 Bronco TAN and it comes out closer to tight
Mesa Boogie Stiletto Deuce 50/100W Tube Head
Mesa Boogie
tonal matchComes later in the signal chain
Stack Mesa Boogie Stiletto Deuce 50/100W Tube Head on top and a saturated tone tightens toward tight
Peavey MiniMEGA 1000W Lightweight Bass Head
Peavey
tonal matchComes later in the signal chain
Peavey MiniMEGA 1000W Lightweight Bass Head takes that saturated character and pushes it toward tight
Pedals that stack with the Ross "Distorsion"
Browne Amplification Carbon
Browne Amplification
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Browne Amplification Carbon's bright balances out the warm tone
Comes earlier in the signal chain
Xotic EP Booster
Xotic
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Xotic EP Booster after it and the warm edge settles into something more bright
Comes earlier in the signal chain
Jackson Audio Bloom MIDI
Jackson Audio
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Jackson Audio Bloom MIDI's own spring character is the real reason this is worth trying
Comes earlier in the signal chain
Maestro PS-1A Phase Shifter
Maestro
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Maestro PS-1A Phase Shifter's lush voice goes after Ross "Distorsion" in the signal chain — it's not there to compete with Ross "Distorsion"'s own harmonically rich character
Comes later in the signal chain
Boss DD-200 Digital Delay
Boss
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Boss DD-200 Digital Delay's shimmer voice goes after Ross "Distorsion" in the signal chain — it's not there to compete with Ross "Distorsion"'s own harmonically rich character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Alexander Pedals History Lesson Vol. 2
Alexander Pedals
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals History Lesson Vol. 2 after Ross "Distorsion" in the signal chain, clear of Ross "Distorsion"'s own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
TC Electronic Spark Booster
TC Electronic
tonal matchComes earlier in the signal chain
TC Electronic Spark Booster takes that saturated character and pushes it toward clean boost
Boss GEB-7 Bass Graphic EQ
Roland
tonal matchComes later in the signal chain
Where this leans warm, Boss GEB-7 Bass Graphic EQ answers back bright
Alternativessee all similar tone character →
T-Rex Bloody Mary
T Rex
59% similarityShared character: distortion, warm
Crazy Tube Circuits Orama
Crazy Tube Circuits
58% similarityShared character: compression, warm, vintage charm
TC Electronic Vintage Dual Distortion
TC Electronic
58% similarityShared character: distortion, warm, vintage charm
Crazy Tube Circuits Venus
Crazy Tube Circuits
56% similarityShared character: compression, warm, smooth
One Control Anodized Brown Distortion
One Control
55% similarityShared character: distortion, warm, classic rock
Catalinbread Silverkiss
Catalinbread
54% similarityShared character: smooth, warm, vintage charm
Tone City Black Tea
Tone City
54% similarityShared character: distortion, warm
Orange - Vintage Distortion
Orange
53% similarityShared character: smooth, distortion, warm
Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD
Dunlop
53% similarityShared character: compression, smooth, distortion
JHS 3 Series Distortion
JHS Pedals
52% similarityShared character: smooth, distortion, warm
Maxon D&S II Reissue
Maxon
52% similarityShared character: 1960s, distortion, vintage charm
Univox UD-50 Uni-Drive
pedal
52% similarityShared character: distortion, warm, vintage charm
See all alternatives to the Ross "Distorsion" (cheaper + boutique) →
Questions people ask
What are good alternatives to the Ross "Distorsion"?+
The closest matches in character are the T-Rex Bloody Mary, the Crazy Tube Circuits Orama, the TC Electronic Vintage Dual Distortion.
What pairs well with the Ross "Distorsion"?+
Strong matches from rig and tone-complementarity evidence: Peavey MiniMAX, Hiwatt Custom DR20H, Peavey MiniMAX II Bass Head — Peavey MiniMAX pushes a saturated tone toward tight.
Compare
- vs Electro-Harmonix Hellmaster Distortion
- vs Dunlop Custom Badass
- vs Crazy Tube Circuits Stardust Overdrive