Pedals that stack with the Sadowsky SBP-1 Bass Preamp/DI
← everything about the Sadowsky SBP-1 Bass Preamp/DI
All 6 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Spaceman Explorer 6-Stage Phaser
Spaceman
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Sadowsky SBP-1 Bass Preamp/DI's bright voice out front: Spaceman Explorer 6-Stage Phaser goes after Sadowsky SBP-1 Bass Preamp/DI in the signal chain so its lush voice doesn't muddy it
Comes earlier in the signal chain
Boss OD-1 Overdrive
Boss
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run Boss OD-1 Overdrive after it and the bright edge settles into something more smooth
Comes earlier in the signal chain
Greer Mizuki blue
Greer
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes earlier in the signal chain
SahBro? Audio Ross Kempressor
Sahbro Audio
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
SahBro? Audio Ross Kempressor's own compressed character is the real reason this is worth trying
Comes earlier in the signal chain
TC Electronic Echobrain Analog Delay Effetto Delay A
TC Electronic
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Echobrain Analog Delay Effetto Delay A after Sadowsky SBP-1 Bass Preamp/DI in the signal chain, clear of Sadowsky SBP-1 Bass Preamp/DI's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Line 6 DL4 Delay Modeler
pedal
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Line 6 DL4 Delay Modeler after Sadowsky SBP-1 Bass Preamp/DI in the signal chain, clear of Sadowsky SBP-1 Bass Preamp/DI's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain