Pedals that stack with the Schecter Hellwin Stage 100
← everything about the Schecter Hellwin Stage 100
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall Guv'nor
Marshall
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Marshall Guv'nor leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Browne Amplification Gritador
Browne Amplification
25% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Into a high headroom tone, Browne Amplification Gritador brings a pull toward mid-forward that's missing
Goes in front of the amp
Catalinbread RAH
Catalinbread
24% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Run Catalinbread RAH into that high headroom platform and it finally leans toward mid-forward
Goes in front of the amp
Boss CE-1 Chorus Ensemble
pedal
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)
Keep Boss CE-1 Chorus Ensemble after Schecter Hellwin Stage 100 in the signal chain, clear of Schecter Hellwin Stage 100's own gain stage
Goes in front of the amp
Pigtronix Philosopher's Tone Micro
Pigtronix
14% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Pigtronix Philosopher's Tone Micro's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Keeley Halo
Keeley
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Run Keeley Halo in Schecter Hellwin Stage 100's effects loop, clear of Schecter Hellwin Stage 100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon BigSky
Strymon
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Keep Strymon BigSky in Schecter Hellwin Stage 100's effects loop, clear of Schecter Hellwin Stage 100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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