Shin's Music Dumble ODS

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans this high headroom tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Comes later in the signal chain

Comes later in the signal chain

Bogner Ecstasy Mini 30W leans this high headroom tone toward saturated, which it doesn't make on its own

Comes later in the signal chain

Ceriatone 2202H leans this high headroom tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a high headroom tone, PRS MT 15 V2 Mark Tremonti Signature 2-Channel 15W Head brings a pull toward medium gain that's missing

Comes later in the signal chain

Friedman Small Box 50 Head with 1x12 Cabinet leans this high headroom tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a high headroom tone, Friedman Small Box 50W EL34 Amp Head brings a pull toward high gain that's missing

Comes later in the signal chain

Into a high headroom tone, Bogner Snorkler 50 brings a pull toward medium gain that's missing

Into a high headroom tone, Carl Martin Hot Drive'n Boost MK3 brings a pull toward high gain that's missing

Beetronics Fatbee JFET Overdrive leans this high headroom tone toward crunchy, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Shin's Music Dumble ODS in the signal chain, clear of Shin's Music Dumble ODS's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after Shin's Music Dumble ODS in the signal chain, clear of Shin's Music Dumble ODS's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Alter Ego V2 Vintage Echo after Shin's Music Dumble ODS in the signal chain, clear of Shin's Music Dumble ODS's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Donner Big Mouth Distortion leans this high headroom tone toward high gain, which it doesn't make on its own

Dophix Dante leans this high headroom tone toward compressed, which it doesn't make on its own