Pedals that stack with the Soldano 1x12 Open Back
← everything about the Soldano 1x12 Open Back
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Univox Super-Fuzz
Univox
27% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
The dynamic tone has headroom to spare — Univox Super-Fuzz leans it toward compressed to fill it in
Goes in front of the amp
Beetronics Swarm
Beetronics
27% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
The high headroom tone has headroom to spare — Beetronics Swarm leans it toward fuzzy to fill it in
Goes in front of the amp
Marshall Guv'nor
Marshall
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Marshall Guv'nor leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
W-LM Compression Fracture
W-LM
16% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
W-LM Compression Fracture's compressed voice suits Soldano 1x12 Open Back's own dynamic character
Goes in front of the amp
Boss CE-1 Chorus Ensemble
pedal
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Boss CE-1 Chorus Ensemble's lush voice goes after Soldano 1x12 Open Back in the signal chain — it's not there to compete with Soldano 1x12 Open Back's own dynamic character
Goes in front of the amp
Dunlop MXR M299 Carbon Copy Mini
Dunlop
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)
Into Soldano 1x12 Open Back, Dunlop MXR M299 Carbon Copy Mini is right at home: it's built around a clean amp's front end — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley Halo
Keeley
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Keeley Halo in Soldano 1x12 Open Back's effects loop, clear of Soldano 1x12 Open Back's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop